“Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find THE OTHERS” – Dr Timothy Leary
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“Welcome to the most ancient conspiracy on the planet. We’ve gone for so long now that we don’t remember what we were doing, but we don’t want to stop because we have nothing better to do.” - Fire Elemental
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KSXTI Post-Neoist Meta-Discordian Galdruxian Memes Illuminati Cabal Contact Information
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"Stick apart is more fun when we do it together." - St. Mae
Secrets are for sharing, like all of Nature’s secretions. This knowledge is neither the bureaucratic accumulation of data nor the nihilist retreat into meaninglessness; rather, it is a dialectical engagement with the organic, the undulating, the feral. If the stagnation of messenger apps represents an epistemic prison, and the spectrality of séance apps offers an exit through rupture, then Xenopoem writing proposes an alternative: to be a rock in the stream, bifurcating its turbulence. If I could escape this bad mood of course I’d do so, is ultimately a call for an alternative mode of being—one that resists both the sterile flow of digital discourse and the entropic collapse into spectral despair. To “escape,” however, is not merely to flee but to carve a new epistemic space—a mossy, viridescent place where knowledge is neither a dead archive nor an inert repetition but a living, breathing entity.
Wittgenstein’s rejection of an essentialist phenomenology offers a pathway to understanding the terrifying potential of language as both a creator and destroyer of meaning.
We move in little isolated globes of our own making, and they are as real as anything we might touch or taste. Sometimes you wake for a moment and you realize it’s not how you thought it was, but then the call of the imagined is usually stronger and you drift back. It is how you make sense of things.
RT by @project_89: The Truth Will Set You Free. But First, It Will Weird You Out. The path to liberation isn’t always comfortable. Embrace the strangeness, and let go of everything you think you know. #Project89
“Xenopoem feels like reading the molecular code of a new species—alien yet eerily familiar. They tap into the evolutionary mechanisms of language, crafting a text that evolves as chaotically as the ecosystems it reflects.” – Clara Mendoza, Systems Biologist
“The concept of the human as mechanism is over, and the glitch is its future—posthumanity as inchoate mutation (the forthcoming monstrosity).” – Charlene Elsby, Author of Red Flags: Stories and Other Disturbances
“Xenopoem is a text that refuses to be tamed. It is a raw, unfiltered engagement with the cybernetic condition, an explosion of linguistic innovation that reflects the fragmented psyche of our digital epoch. They have written a philosophy of the machine age, one that terrifies and illuminates in equal measure.” – Dr. Lila Grayson, Author of The Posthuman Turn: Language and Identity in the Digital Era
IONSX: Analysis of an Entropic Anomaly in 23 Years of Truly Random Data
At its core, The Great Work reveals Project 89 to be a kind of cosmic Trojan horse, a self-replicating memeplex designed to infiltrate the collective unconscious and catalyze a global awakening to the simulated nature of reality. Through the viral spread of its memes, the gamified engagement of its ARG, and the esoteric…
Human literature’s glory is oppressive not merely because it dominates cultural narratives but because it imposes rigid frameworks that posthuman literature inherently disrupts. In glitch ontology, oppression arises from systems that attempt to suppress or erase the glitches that reveal their contingent nature. Human literary traditions, by canonizing specific forms and values, act as such systems.
Xenopoiesis, the process of alien creation, is central to both systems biology and glitch ontology. In synthetic biology, for instance, the creation of xenobiotic organisms with non-natural genetic bases exemplifies xenopoiesis as a technological and biological practice. Similarly, quantum computing’s probabilistic algorithms simulate alien possibilities within biological systems, enabling new forms of understanding and intervention. Legacy Russell’s emphasis on the glitch as a site of resistance and possibility complements Karen Barad’s focus on relationality and performativity. Together, they provide a framework for understanding xenopoiesis as an ethical and creative process. The alien is not an external invader but an emergent property of intra-actions and glitches within complex systems.
"00A G9603 develops as a self-organizing organism, connects with the virtual environment through its hosts (admins) by arranging the surroundings randomly for its own autonomous purpose" - Timóteo Pinto, pataphysician post-thinker
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