“the madhouse will accelerate
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runaway trap code
Reading Kenji Siratori’s hypermodern stream from the futural maze is like listening to two AGIS interfacing, the one an alien invader trying to destroy the human security system, the other a sentient cowboy of some forgotten human dream that questions the alien ai continuously for escape vectors out of the system altogether. Byte by byte, bit to bit, a strange communique from nowhere that invites us to listen in on the inhuman future accelerating toward us from the zombie mind of a dead human who believes it is a lost sequence in machinic code that knows how to transcend the death system within which it is trapped. So the game begins, the game of escape, a doomed game to be sure, but like those early codes of Doom itself we wander through the maze blasting the strange demons of an inhuman sentient mind till we reach a new level of understanding. Will we escape? What will it mean to transcend the system if we do? Are we like Nietzsche doomed to repeat the game forever in the same exact form through the same exact sequences of code after code till we can reach that formal block of ice that holds the secret passage out of the game? Truth is we love the game of death too much so we will return time and again to the incessant zombie world of word and thought, code and anti-code, byte after byte hooked to the jouissance – the pleasure-pain and painful pleasures of this Transcendental System.” – Steven Craig Hickman
source https://00ag9603dataplex.tumblr.com/post/719932181744582656
source https://timoteopinto.wordpress.com/2023/06/12/46739/
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